
The Darkroom in Cinema: How Movies Portray Analog Process
Cinema keeps casting the darkroom as the room where secrets surface, from Blow-Up's enlarger to Kodachrome's real processing deadline.

Cinema keeps casting the darkroom as the room where secrets surface, from Blow-Up's enlarger to Kodachrome's real processing deadline.

A humble point and shoot film camera is cheap fun, while hyped titanium compacts like the Contax T2 reward patience over impulse.

A twin lens reflex camera pairs two matched lenses with a waist-level finder, a design that has run since the Rolleiflex of 1929.

The best first film camera is usually the cheap, boring, dependable one — here is how to pick it and where the money should go instead.

A walk through the chemistry, the enlargers, and the people whose hands touch every negative.

Replicas, franken-cameras and mislabeled classics are everywhere at markets and online. Here is how to read the tell-tale signs before money changes hands.

Light, color fidelity and patience: what painters, printmakers and galleries need to document work that sells and survives.

Match the body to how you actually shoot, set a budget that leaves room for film, and buy the simplest camera that will do the job.